These stories are specifically about crime and the law, but they more generally encompass the human condition.
The second volume of unusual case histories by a German defense attorney with a literary flair.
As a follow-up to Crime (2011), this very similar collection can’t offer the revelatory impact of its predecessor, nor the consistency (the reader suspects that the best stories were used in the earlier book). Yet its combination of legal experience and literary command will continue to find favor with those who appreciated the debut. These are compressed, matter-of-fact accounts which the author maintains are based on criminal cases in which he was involved, but often read like existential parables that probe the limits of the law in exploring the mysteries of the human heart and psyche. The opening “Funfair” details an inexplicable gang rape by “perfectly normal men” of a young victim who had consciously done nothing to turn these men into animals. “Later nobody could explain anything,” says the author, who was then a young lawyer, and for whom the case would provide a rite of passage, an initiation, when it became obvious that the law could do nothing, that “legal proceedings would end here and that guilt was another matter entirely” and that “we knew we'd lost our innocence and that this was irrelevant.” Though the narratives are often as terse as the best hard-boiled crime fiction, the most compelling tales have a philosophical dimension reminiscent of Kafka or Camus. In “The Other Man,” a narrative of random sex and its complications, the author writes of a woman who had never anticipated the consequences of desire. Other stories are slighter, with O. Henry twists, but they are also relatively short.
These stories are specifically about crime and the law, but they more generally encompass the human condition.Pub Date: Jan. 31, 2012
ISBN: 978-0-307-59949-0
Page Count: 160
Publisher: Knopf
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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