by Fergus M. Bordewich ‧ RELEASE DATE: April 17, 2012
A thrilling history lesson filled with pistol waving in the Senate, “backroom confabulations,” the death of a president and...
Wholly enjoyable study of an earlier era of intense political partisanship.
Historian Bordewich (Washington: The Making of an American Capital, 2008, etc.) recounts the amazing story of the cliffhanging compromise hammered out in both houses of Congress in 1850 that pitted the rival pro- and antislavery factions against each other and saved the country, temporarily, from dissolution. The war with Mexico four years before had added 1.2 million square miles to the western United States, while slavery, thanks to the cotton gin, had exploded exponentially. Would the new territories comprise slave states or free states? How to maintain the balance in the Senate and House of Representatives between them? Bordewich portrays a colorful cast of characters—Democrats, Whigs, Free Soilers and abolitionists—whose passionate rhetoric attained lyrical heights and brought the debate about America’s very identity to the forefront. Chief architect Henry Clay, in ill health and at the end of an eminent career, brandished a fragment of George Washington’s coffin and warned his colleagues of the dire consequences of disunion. Urging forbearance on both sides, Clay laid out the components of a plan accounting for the admission of California and New Mexico without restrictions (meaning they would decide themselves about slavery), resolving the disputed borders with Texas, abolishing the slave trade in Washington, D.C., and soothing Southerners’ concerns over fugitive slaves. Warring factions—on the South, led by senators John Calhoun and Jefferson Davis, and on the North, led by Daniel Webster and William Seward—threatened to defeat the omnibus bill, until the rhetorical arm-wringing by the “steam engine in britches” Stephen A. Douglas squeezed a compromise and the necessary passage. Acquiescence to the Fugitive Slave Law, however, would henceforth haunt the lawmakers.
A thrilling history lesson filled with pistol waving in the Senate, “backroom confabulations,” the death of a president and old-fashioned oratorical efflorescence.Pub Date: April 17, 2012
ISBN: 978-1-4391-2460-4
Page Count: 496
Publisher: Simon & Schuster
Review Posted Online: Jan. 15, 2012
Kirkus Reviews Issue: Feb. 1, 2012
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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