by Fern Michaels ‧ RELEASE DATE: April 30, 2013
A cute concept undercut by awkward writing, inconsistent, simplistic characterization and too many implausibilities to allow...
When Gus Hollister’s gold-digger wife throws him out, he works to re-establish ties with his grandmother and great-aunts, whom he’s ignored since his marriage and who have a few secrets of their own.
CPA Gus Hollister is blindsided on the last day of tax season when wife, Elaine, demands a divorce, forcing him out of his own house, which his grandmother paid for. Since their marriage, Elaine has convinced him to ignore his grandmother and her two sisters, the women who raised him and whom he loves more than anyone in the world. Now he must work to get back in their good graces, and in the process, he’ll find out that those ladies and a posse of local seniors have started local and online businesses selling a spectrum of interesting, varied products. Elaine, the gold digger, expects to take him for everything he’s worth, including his house, his car, half his business and even his inheritance. Lucky for Gus, he’s an all-round-good guy no one can stay mad at—oh, and that he has a world-famous, billionaire hedge fund manager as a best friend, who is willing to fund his divorce attorney—the best ever, of course—and a full firm of private investigators. And how fortunate that Elaine is not only a bona fide gold digger (a term used repeatedly throughout the text), but also a practicing high priestess of witchcraft with a long background of deception, shrewish behavior and all-round-villainess tendencies. (And how unfortunate that Gus wouldn’t listen to all of his relatives and friends when they told him not to marry her.) Not to worry, though, Elaine has her next mark in sight, and Gus is just lucky enough that she’ll move on to the next guy and uncharacteristically decide to cut her losses and legal property rights and leave Gus alone. Meanwhile, Gus will help his grandmother and friends streamline their operation, and maybe he’ll even fall in love.
A cute concept undercut by awkward writing, inconsistent, simplistic characterization and too many implausibilities to allow us to take the book or the ending seriously.Pub Date: April 30, 2013
ISBN: 978-0-7582-8671-0
Page Count: 352
Publisher: Kensington
Review Posted Online: March 15, 2013
Kirkus Reviews Issue: April 1, 2013
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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