Ultimately, this rich source of unusual background material on the Holocaust and anti-Semitism in general is marred by low...
Roughly hewn pedagogical elements are shoveled atop this abbreviated version of a 2010 novel based on the experiences of the author’s mother, a Jewish child sent from Nazi Germany to a hostile reception in this country.
Edith has seen her family go from respectable burghers to “filth, Jews polluting the village.” The 12-year-old is sent to relatives in Chicago; there, her aunt treats her as a servant, schoolmates ignore her or taunt her and the government requires her to register as an “enemy alien.” Blocks of first-person text are recast from the print edition and are accompanied by awkwardly constructed collage-and-watercolor illustrations. Behind buttons fitted around the narrative are several inset featurettes on topics from “Nazi Bullying” to Hank Greenberg. Also available with a tap are multiple video clips of interviews with the author and her mother; these are marked by regrettably poor sound quality. There are as well as pro-and-con considerations for debate questions (misnamed “Case Studies”) like what to do about classroom bullying or “What programs should a public school offer immigrants who do not speak English?” Sprays of stars in the art key short comments and, on occasion, a fading figure representing a departing companion or friend. Audio narration doesn’t always match the text but can be switched on or off at any time, and three strip indexes allow rapid access to any screen or added feature. So plentiful are the added features, however, that oftentimes the central narrative feels pushed to the side.
Ultimately, this rich source of unusual background material on the Holocaust and anti-Semitism in general is marred by low production values. (iPad historical-fiction app. 11-13)Pub Date: Feb. 15, 2012
ISBN: N/A
Page Count: -
Publisher: Literactivity
Review Posted Online: March 13, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
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