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The Finis Jhung Ballet Technique

A GUIDE FOR TEACHERS AND STUDENTS

A fresh, friendly guide that demystifies classical ballet while providing clear guidance on how to be a better dancer.

Awards & Accolades

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Discover—or rediscover—the essentials of good ballet technique in this comprehensive, accessible book.

Ballet has a reputation as a beautiful but intimidating art form, and those who lack natural flexibility or a typical dancer’s body may feel unwelcome in a ballet studio. In his first book, former professional dancer and longtime instructor Jhung dispels that notion, reminding students and teachers of the pure joy that dance can bring while offering clear guidance on how to move with grace and confidence—and avoid injury. Jhung came to ballet relatively late in life as a college student, but he enjoyed a long and successful career, first with the San Francisco Ballet, Joffrey Ballet and other companies and now as a teacher at the Alvin Ailey American Dance Center, Broadway Dance Center, and other schools. He talks candidly about his own struggles with demanding classical technique and explains how he eventually learned to work with his body, rather than against it, when dancing. Jhung doesn’t demand perfect turnout or high battements from his students; instead, he emphasizes proper posture and alignment, which he convincingly argues are the real foundation of good dance. With that in mind, he moves through a series of exercises, from simple stretches and basic barre work to more advanced center work involving turns and jumps. Lessons begin with an outline of the specific movements and are followed by a detailed analysis of each exercise so that readers will understand why it’s essential to perfect simple steps before moving on to more complex choreography. These initial lessons are clearly explained and are easy to follow even for those with no prior ballet training. The more advanced lessons require a familiarity with common ballet steps—anyone who doesn’t know a pirouette from a pas de chat will be lost. The instructions gradually become more difficult to follow as well, and those who progress to this stage will likely benefit from purchasing the associated demonstration DVDs. Throughout, Jhung maintains his encouraging, supportive tone while also discouraging the sloppiness and overreach that lead to strained, inelegant movement—valuable lessons for beginners and advanced students alike.

A fresh, friendly guide that demystifies classical ballet while providing clear guidance on how to be a better dancer.

Pub Date: June 26, 2014

ISBN: 978-1457530180

Page Count: 360

Publisher: Dog Ear

Review Posted Online: Feb. 22, 2018

Kirkus Reviews Issue: April 15, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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