A forced effort to leverage interest around the legendary Chelsea Hotel, this novel is a miss.
Perennial Broadway understudy Hazel Ripley and center-stage bombshell Maxine Mead formed a close bond as performers touring with the USO during World War ll. Now that they’ve been home for five years, can their friendship survive the McCarthy-era witch hunt for Communists in show business?
Davis (The Masterpiece, 2018, etc.) has built her brand crafting historical fiction set at New York landmarks like the Barbizon Hotel, the Dakota apartment building, and Grand Central Terminal. Now readers are taken behind the doors of the storied Chelsea Hotel, a creative oasis for artists and freethinkers, as Hazel and Maxine try to navigate the Broadway theater scene. While Hazel has never enjoyed success onstage, she discovers a talent for playwriting and directing. Her career is off to a promising start, especially since bestie Maxine has agreed to use her star power as a box office draw for Hazel’s show. Their drama unfolds offstage when both women are named on a list of Communist sympathizers and must testify about suspected anti-American activities. With a high-stakes storyline that should be tension-filled, the novel unfortunately features prose that is expository and flat. Maxine’s diary confessionals fail to give any insight into her inner life and seem only to serve as information downloads. Even revelations that should shock evoke a tepid response, probably because the buildup has been so noncompelling. Thankfully, Hazel’s relationships—with everyone from her mother to a private investigator working in tandem with the FBI—are more engaging and complex. Notably absent from the cast list, though, is the Chelsea Hotel itself. In Davis’ previous novels, the setting plays an integral role in the storyline. Here, though, the sparse descriptions of the site seem to be almost an afterthought. Hazel and Maxine could have been living at a Holiday Inn and it would have had no effect on the telling.
A forced effort to leverage interest around the legendary Chelsea Hotel, this novel is a miss.Pub Date: July 30, 2019
ISBN: 978-1-5247-4458-8
Page Count: 368
Publisher: Dutton
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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