At this art show in the deep, the deepest aspect is the conveyance of celestial views to an underwater audience.
In a calm and color-shifting ocean, a whale becomes an artist.
At first, the sea looks almost empty, made of soft, horizontal stripes in greens and blues. A whale arrives, wearing a poster: “Call for entries! The hugest art show in the deep and briny. Curated by Mr. Jackson Pollock.” A wrasse creates living sculpture with coral; a shark drapes fishing floats over an anchor. Whale sulks (“I wish I could make something too, but I’m just in advertising”) until encouragement arrives from an unlikely source. Some plankton pipe up with support, undeterred by Whale’s biologically sensible threat—“go away before I eat you!” Grumpy Whale swims away, inadvertently lighting up the plankton, who are bioluminescent; they glow when his tail swishes them. Now Whale has a medium; what’s his subject? Bursting through the ocean’s surface for air, he observes something his friends only ever see “through a dulling veil of water”: the sky. His undersea plankton painting will be Starry Night (à la Van Gogh). Robinson’s placid watercolor ocean alters shade on every page and horizontal panel, employing myriad blues and greens; her sharp contrasts between light and dark are beautiful. Her pencil drawings are friendly, though the octopus and squid are somewhat stuffed animal–like.
At this art show in the deep, the deepest aspect is the conveyance of celestial views to an underwater audience. (Picture book. 3-7)Pub Date: Nov. 5, 2013
ISBN: 978-1-4197-0848-0
Page Count: 32
Publisher: Abrams
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Oct. 1, 2013
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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