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A LIFE

ISAAC B. SINGER

Despite an annoying fondness for rhetorical questions and barely serviceable prose, Noiville gets the story told, and...

The life of the late, great Yiddish writer (1904–91), as analyzed by a French journalist and recalled by Singer’s relatives, friends, translators, biographers, critics and literary peers.

Noiville leans heavily on both Singer’s lucid autobiographies and the testimony of such witnesses in depicting the odyssey of a deeply conflicted Jew whose experience of his family’s zealous religiosity and the terrors of two world wars estranged him from his origins. The roots of his complicated sensibility are shown to lie in insistent memories of his fervent (and somewhat ridiculous) rabbi father, powerful pragmatic mother, elder sister Hinde Esther (herself a novelist) and especially his older brother Israel Joshua, a bestselling author who paved the way for his younger sibling’s eventual literary conquest of America (to which Isaac immigrated in 1945). Noiville stresses Singer’s fascination with Jewish folklore and supernaturalism, persuasively linking it to his indifference to religious tradition and his dispassionate fatalism—traits that, when expressed in his fiction, offended Jewish intellectuals far more preoccupied than he with their people’s communal experience of persecution, diaspora and genocide. (The apostate’s lifelong womanizing, indifferent fatherhood and calculating career moves were also frowned upon.) Yet Singer came unforgettably into his own in richly imagined tales of imps and dybbuks, ingenuous everymen and satanic tempters, faithful spouses and cynical adulterers: a roiling gallery of clamoring humanity captured in fabulist stories (“Gimpel the Fool,” “The Spinoza of Market Street”), breathlessly readable novels (The Magician of Lublin, Enemies) and the still-underrated serial autobiography begun with the brilliant In My Father’s Court. Still, dualities and contradictions plagued him to the end, climaxing with a 1978 Nobel Prize, universal adulation and his sad final years endured in the bewildering grip of Alzheimer’s disease.

Despite an annoying fondness for rhetorical questions and barely serviceable prose, Noiville gets the story told, and Singer’s is a good, dark, paradoxical one.

Pub Date: Oct. 3, 2006

ISBN: 0-374-17800-3

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2006

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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