An ambitious but ultimately unsatisfying coming-of-spirituality tale.
A young man grows up to discover a connection to the paranormal in Deur’s debut novel.
As the story begins, 12-year-old Angelo Novakis haunted by thoughts of suicide by gun. Over the course of the novel, he not only confronts his own dark desires, but also bears witness to how such urges play out in others’ lives. As the tale follows Angelo from his youth to adulthood, it becomes a broader investigation of what makes his life meaningful. Early on, he has visions of himself as a knight fighting a shadowy opponent in a forest long ago; these visions soon inspire a long education in the occult. Angelo becomes versed in multiple religions and possible theories to explain his apparently fantastical experiences. The hero becomes a Platonic inquisitor as he challenges ideas that he encounters over the years—eventually writing a memoir of his visions called Somnia Praeterita. The novel’s second half is that very book, which concerns Luka Dragovic, who lived in the 16th and 17th centuries; it turns out that Angelo has been having visions of events in Luka’s life ever since he was a child. Deur experiments with form in this novel, and the notion of a book within a book being the climax of a story is engaging. However, this experiment goes awry, as there are too many threads left untied in both halves of the book for it to feel like a unified whole. Although the opening of the novel teases Angelo’s self-destruction, in the end, he simply vanishes from the novel, with some parts of his story left incomplete and unresolved. Both sections, but especially the first half, suffer from overwriting, with large swaths of expository text where shorter scenes might have offered better illustrations of complex ideas; the book also tends to state its characters’ thoughts and feelings rather than showing them through action. Indeed, some sections simply feel like lists, and the dialogue often consists of wishful monologues and unrealistic diatribes rather than genuine conversation. There are definitely intriguing ideas here, but they’re lost in a sea of ramble.
An ambitious but ultimately unsatisfying coming-of-spirituality tale.Pub Date: Sept. 11, 2020
ISBN: 979-8677399909
Page Count: 229
Publisher: Self
Review Posted Online: April 13, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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