ON THE FRINGES OF PERCEPTION

A young man grows up to discover a connection to the paranormal in Deur’s debut novel.

As the story begins, 12-year-old Angelo Novakis haunted by thoughts of suicide by gun. Over the course of the novel, he not only confronts his own dark desires, but also bears witness to how such urges play out in others’ lives. As the tale follows Angelo from his youth to adulthood, it becomes a broader investigation of what makes his life meaningful. Early on, he has visions of himself as a knight fighting a shadowy opponent in a forest long ago; these visions soon inspire a long education in the occult. Angelo becomes versed in multiple religions and possible theories to explain his apparently fantastical experiences. The hero becomes a Platonic inquisitor as he challenges ideas that he encounters over the years—eventually writing a memoir of his visions called Somnia Praeterita. The novel’s second half is that very book, which concerns Luka Dragovic, who lived in the 16th and 17th centuries; it turns out that Angelo has been having visions of events in Luka’s life ever since he was a child. Deur experiments with form in this novel, and the notion of a book within a book being the climax of a story is engaging. However, this experiment goes awry, as there are too many threads left untied in both halves of the book for it to feel like a unified whole. Although the opening of the novel teases Angelo’s self-destruction, in the end, he simply vanishes from the novel, with some parts of his story left incomplete and unresolved. Both sections, but especially the first half, suffer from overwriting, with large swaths of expository text where shorter scenes might have offered better illustrations of complex ideas; the book also tends to state its characters’ thoughts and feelings rather than showing them through action. Indeed, some sections simply feel like lists, and the dialogue often consists of wishful monologues and unrealistic diatribes rather than genuine conversation. There are definitely intriguing ideas here, but they’re lost in a sea of ramble.

An ambitious but ultimately unsatisfying coming-of-spirituality tale.