A layered spy novel helmed by a remarkable female agent.
In Vincenti’s World War II thriller, a young Swedish spy makes her mark.
Vincenti, whose last work was The Sandman (2018), creates a smart, fearless lead in Glenda Paal, a “linguistic chameleon.” At 16, Glenda is spending the summer working for the Swedish Legation in Berlin, where she meets German spies, falls in love, and becomes pregnant. In 1939 Sweden, having a child out of wedlock is illegal, so Glenda’s father uses his undercover contacts to smuggle her to Canada after she gives birth to a son. At a British-run training camp, she receives combat and spy training. In Ottawa, Glenda fosters a relationship with Russian intelligence and subsequently becomes a triple agent to defeat Nazism. While working for the Canadians, she’s supposedly spying on her Russians contacts for the Germans. She develops multiple personas and successfully completes missions involving defections and smuggling people to safety all while juggling three demanding spy agencies. Glenda finds herself on an even more dangerous mission when she’s assigned to the Manhattan Project compound in Los Alamos, New Mexico, where her identity and intentions are thoroughly scrutinized. There she witnesses the first atomic bomb explosion, the “devil’s dawn” of the book title. Glenda just hopes the war will end soon so she can join her son and parents in Sweden and maybe reconnect with her German boyfriend. Glenda is a stellar, larger-than-life (in good spy-genre style) lead. She does have a few minor flaws to humanize her, such as confusing the makeup styles of two of her personas. Vincenti’s nail-biter has a dauntless hero at its center and capably renders the realities of World War II. J. Edgar Hoover, Joseph Stalin, and other historical figures make memorable appearances. The novel also does a fine job of exploring Sweden’s attempt to remain neutral in the war, the realities of living in a makeshift community in the desert, and the morality of making a terrible weapon to end a terrible war.
A layered spy novel helmed by a remarkable female agent.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Jan. 11, 2024
Review Program: Kirkus Indie
PERSPECTIVES
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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