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WHY ARE WE AFRAID?

A safe space to examine a powerful, often overwhelming feeling.

After the electricity cuts off during a thunderstorm, a pajama-clad father and son discuss fears by candlelight.

As this Spanish import opens, Max asks his dad if he has ever been afraid. Dad explains that fear is universal—and he acknowledges how quickly it can arise. Instantly the home is filled with black ovals of different sizes. As Dad describes various types of fears, Max vividly conjures up visuals. There is fear of the unknown, depicted as a maze of trees, and loneliness, paired with an image of a huddled Max looking at a group of partygoers. There are times when people are afraid “because the real monsters aren’t under the bed after all.” Planes drop black ovals over a city, causing smoke to billow. Pintadera, Sender, and Petricic explored the complexities of another emotion in Why Do We Cry? (2020); they are equally effective in developing a nuanced approach to this topic, even suggesting that “Often we’re afraid of freedom.” Max is not consumed by this conversation. When the streetlights come on, he wants to linger in semidarkness, because “It’s the perfect night for telling stories.” Scary ones. With its surreal imagery, the stylized, arresting artwork evokes fear yet also hope in the face of terror. Max and Dad are both brown-skinned. (This book was reviewed digitally.)

A safe space to examine a powerful, often overwhelming feeling. (Picture book. 4-8)

Pub Date: June 6, 2023

ISBN: 9781525311291

Page Count: 34

Publisher: Kids Can

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023

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THE WORLD NEEDS THE WONDER YOU SEE

Handy advice for perpetually inquisitive children.

Interior decorator and TV personality Gaines invites readers to open their eyes and exercise their imaginations.

There’s a world to be explored out there—and only children can really take part. What does “looking for wonder” entail? Slowing down and looking up, around, and everywhere. At the outset, a group of eager, racially diverse young friends—including one who uses a wheelchair—are fully prepared for a grand adventure. They offer tips about how and where to look: Why, there’s a “grand parade” of marching ants! And, these kids add, perspective is key. A rainy day might signal gloom to some, but to those filled with wonder, showers bring “magic puddles for play”; a forest is “an enchanted world,” the ocean conceals “a spectacular city,” and the night sky boasts “extraordinary sights.” The takeaway: “Wonder is never in short supply.” It’s a robust, empowering message, as is the exhortation to “keep your mind open, and let curiosity guide the way.” Youngsters are also advised to share their discoveries. The upbeat narrative is delivered in clunky verse, but the colorful cartoonish illustrations brimming with activity and good cheer (including some adorable anthropomorphized animals in the backgrounds) make up for the textual lapses and should motivate readers to embark on their own “wonder explorations.”

Handy advice for perpetually inquisitive children. (Picture book. 4-7)

Pub Date: Jan. 28, 2025

ISBN: 9781400247417

Page Count: 32

Publisher: Tommy Nelson

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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