Slow-moving, long and meandering, like an Amazonian stream—with moments of beauty, but in need of a machete.
Two sisters work both banks of the river and both sides of the law, united in their knowledge of stitchery, in this ponderous semi-epic, set in the steamy Brazilian jungle in the 1920s and ’30s.
This debut novel from Peebles, a native of Brazil, concerns Emília and Luzia dos Santos, virtuous sisters living in poverty on one of the vast, near-feudal estates of the swampy interior. Emília is sentimental and gushy, given to praying to Saint Anthony to one day send her a prince—and soon, for as the book opens she is “nineteen and already an old maid.” Sister Luzia, meanwhile, has taken a nasty spill from a tall tree and been awarded cruel nicknames by the other kids for her troubles. Well, nothing will set a future revolutionary off like getting dissed by the local yokels, and so it goes: Luzia hooks up with the local peasant bandits-cum-revolutionaries, led by one Hawk, who “had become a cangaceiro when he killed the famous Colonel Bartolomeu of Serra Negra in his own study, bypassing the colonel’s capangas and gutting him with his own letter opener.” Bad way to go, that. Luzia, for her part, becomes a sure hand with most forms of contemporary weaponry, slaying one running dog of reaction after another (“The first cut’s always the hardest. After that, it gets easier”) while keeping her pinking shears within reach. And Emília—well, she’s gone off and married the son of a big landowner, since to do otherwise would have thrown the whole twin-track story off balance. Neither sister feels complete without the other, and neither has the true love she deserves—or does she? Emília’s a peach, but unappreciated; for all her deformities, Luzia has a certain Sonia Braga quality to her, but the Hawk is just plain paranoid, the hubby a drip and the jungle just too murky, which means only one thing: Darling, we love you, but give us Park Avenue or a pine box. Peebles’s novel is one of two about seamstresses being published in August (see the review of The Seamstress of Hollywood Boulevard by Erin McGraw, also in this issue).
Slow-moving, long and meandering, like an Amazonian stream—with moments of beauty, but in need of a machete.Pub Date: Aug. 5, 2008
ISBN: 978-0-06-073887-7
Page Count: 656
Publisher: Harper/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 2008
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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