This is Mayes in top form.
A collection of tales about searching the globe for inspiration, only to find fulfillment on the return home.
Seemingly inspired by Martin Buber (“All journeys have secret destinations of which the traveller is unaware”), Mayes (Swan, 2002, etc.) finds comfort in the world as a visitor, not a permanent resident. In previous work, Mayes has described her adopted provenance of Tuscany with insight and allure. Here, her location has changed, but her writing remains in familiar territory. Divided into chapters that each represent a separate adventure, the book is at its best when its author describes the people she encounters along the way, like Rachid, the faithful tour guide in Fez who possesses an unusual enthusiasm for Joseph Conrad, and Guven, the rug dealer in Istanbul who speaks eight languages and sends notes woven in miniature looms. Literate and seductive, Mayes’s anecdotes are immersed in the culture of each destination. Whether it’s listening to soul-filled fado in Portugal, sailing in a traditional Turkish gulet along the Lycian Coast or participating in a Greek baptism in Mani, her observations get to the essence of place. The travelogue falters a bit when Mayes details her visits to museums and ruins; these guidebook staples can grow tiresome and require a degree of patience. Food is a constant topic throughout the book: tortilla de verdura in Madrid, steaming churros in Sevilla, tajines in Morocco and Sally Lunn bread in the Cotswolds. Shelter causes concern because Mayes and her companion, Ed, suffer from a common affliction: They have high expectations. They crave intimacy with their environment; large, impersonal chain hotels are out of the question. Getting the nod is an old stone charmer in the south of France and a well-outfitted row house in Lisbon. A noisy rental in the English countryside, meanwhile, proves unacceptable.
This is Mayes in top form.Pub Date: March 14, 2006
ISBN: 0-7679-1005-2
Page Count: 480
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2006
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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