The pleasurable descriptions of colors and tastes and various Italian tourist destinations, plus the poetry written by the...
Wish fulfillment of every kind awaits a group of aging American women—and the reader of this book—in a fictional Tuscan town.
Wouldn’t it be nice to live in a world of gorgeous flowers, delicious food and wine, and dear friends who keep getting better all the time while you fulfill your deepest creative potential, escape the pain of your past, get a hot new boyfriend, and learn that your few remaining problems have resolved themselves? Mayes (Under Magnolia, 2014, etc.) has just the spot for you. It’s called San Rocco, and it's where Camille, Julia, and Susan decide to live instead of the Chapel Hill, North Carolina, retirement community where they first met. Instead of purchasing condos at this dull place, they rent an Italian villa for a year. Their new place is right next door to the home of more established expats, a successful author and her architect husband. At first the writer turns up her nose at the visitors, but as it turns out, they will all have the best year of their lives, and she will write a book about it. To be honest, a reader could almost skip 50 pages in the middle of Mayes' novel without even realizing it, because there is only the merest whisper of a plot. It takes too long to be able to tell the women apart, and the way the narrative switches between numerous points of view, both first- and third-person, doesn’t help. But in the end, none of this matters at all. Open to any page and begin: “He also brought some Sardinian pecorino called Fiore di Monte that Julia raves about and keeps slicing and piling onto a board with slivers of focaccia, olives she baked with hot peppers, and lemon peel. They’re in no rush for dinner.” Who would be?
The pleasurable descriptions of colors and tastes and various Italian tourist destinations, plus the poetry written by the writer character, the gardens planted by the gardening character, and the handmade paper made by the paper-making character, etc., are enough to keep this party going all year long.Pub Date: April 3, 2018
ISBN: 978-0-451-49766-6
Page Count: 448
Publisher: Crown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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