by Francesca Lia Block ‧ RELEASE DATE: Sept. 30, 1991
This sequel to the extraordinary Weetzie Bat (1989) revisits L.A.'s frenetic pop world, again using exquisitely crafted language to tell a story whose glitzy surface veils thoughtful consideration of profound contemporary themes. Witch Baby—child of Weetzie Bat's lover (My Secret Agent Lover Man) and taloned Jayne Mansfield-groupie Vixanne Wigg—is at odds with all her complicated family (which still includes gay lovers Dirk and Duck). She's jealous of Weetzie's daughter Cherokee, beloved of Raphael, biracial son of other characters in book #1; she's a drummer whose music echoes her inner turmoil and a photographer whose disturbing shots reflect her distress at the world's horror—a glowering personality whose excesses trouble both herself and others. Still, like Weetzie Bat's, Witch Baby's quest for meaning ends on an up beat: though her first love is deported to Mexico, there's hope of finding him again; meanwhile, her honesty results in a reconciliation between Duck and his mom; Witch Baby also learns who her ``real'' parents are and returns to the fold after meeting the many-masked Vixanne. Like her adoptive mother, Witch Baby is painfully aware of many kinds of cruelty—to the homeless, to the environment, to people who are ``different''; but, again, generosity and love triumph in a far-from-perfect world. Block's deft wordplay, connections, and allusions continue to delight in this satisfying extension, which will be most easily enjoyed by those familiar with the earlier book. (Fiction. YA+)*justify no*
Pub Date: Sept. 30, 1991
ISBN: 0-06-020547-4
Page Count: 112
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
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New York Times Bestseller
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Lynn Painter ‧ RELEASE DATE: May 4, 2021
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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