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A.P. GIANNINI

THE PEOPLE'S BANKER

An edifying portrayal of an indefatigably purposeful life.

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A debut biography focuses on an Italian-American entrepreneur who essentially invented modern banking.

Valente’s book examines the life of Amadeo Pietro Giannini, who was born in 1870 in California. He was the son of Italian immigrants who came to the United States in 1869 in search of opportunity. When he was only 6 years old, he witnessed his father’s murder—he was shot to death by one of his workers over a wage dispute—a traumatic experience that taught the boy an early lesson about the gossamer vulnerability of life. His mother married Lorenzo Scatena, an Italian entrepreneur who owned a thriving produce company and who would become a mentor to Giannini. The boy displayed a precocious talent for business and an insatiable ambition. At 14, he dropped out of school to work for L. Scatena & Co. full time. He pioneered the purchase of produce on consignment and, by the end of 1885, was the company’s chief salesman; at 21, he was a full partner. In 1892, he married Clorinda Agnes Cuneo, the daughter of a wealthy real estate tycoon. When Giannini’s father-in-law died, he became the executor of his will, which included shares in and a directorship of Columbus Savings and Loan. Giannini had a vision for the bank’s egalitarian transformation—he wanted to shift its focus to accepting deposits from and dispensing loans to less affluent Italian-Americans, a plan considered so radical he eventually resigned from the board. He started his own bank—the Bank of Italy—which later became part of holdings that included Bank of America. Giannini’s banking empire revolutionized the industry by turning it toward the establishment of local branches under centralized supervision. Valente, writing in crystal clear prose, concisely captures not only Giannini’s entrepreneurial boldness, but also his abiding commitment to social reform and civic causes. After the disastrous San Francisco earthquake in 1906, “he helped the city rise from the ashes by making loans ‘on a face and a signature’ to the small businesses and people whose lives were shattered.” Part of the Barbera Foundation’s Mentoris Project, devoted to biographies of historically significant Italians and Italian-Americans, Valente’s study is scrupulously researched, both informative and inspiring. She also furnishes a vivid portrait not only of the corruption of turn-of-the-century San Francisco, but also the inhospitality Italian immigrants routinely encountered in the United States.

An edifying portrayal of an indefatigably purposeful life.

Pub Date: Jan. 11, 2018

ISBN: 978-1-947431-04-1

Page Count: 218

Publisher: Barbera Foundation, Inc.

Review Posted Online: March 9, 2018

Kirkus Reviews Issue: April 15, 2018

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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