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1974

A PERSONAL HISTORY

Joyful and sad nostalgia offered up in spades.

The veteran author gets deeply personal in this revealing memoir.

Now 76 and channeling Hitchcock’s Vertigo, Prose, the author of more than 20 books of fiction as well as a number of biographies, recalls a turbulent year in San Francisco, where the movie was set. She left her husband and dropped out of school in Cambridge, Massachusetts, to work on writing her third novel and spend time with a rebellious, charismatic man named Tony—i.e., Tony Russo who, with Daniel Ellsberg, leaked the Pentagon Papers. In this year of tarot cards, the I Ching, and Gravity’s Rainbow, the young Prose sought “spiritual aridity,” to “feel the thrill of not knowing or caring where I was going or what I was supposed to be doing.” She admired Tony and what he had done, calling him “antiwar royalty.” The author was wavering between recklessness and terror, safety and disaster. Prose also recalls the Cambridge days, when she and her husband weren’t getting along, smoking pot—over the years she did a number of drugs—ordering Chinese takeout, wondering what she was going to do. They lived in Bombay for a time, and she read a lot, especially García Márquez and Dinesen, and wrote her first novel: “It was like being in love and better.” After traveling widely, Prose returned home, rewrote the novel and found a publisher. She wrote another and headed off to San Francisco, often visiting key places in Vertigo like a destination tourist. The author goes into great detail about Tony and his background with RAND and the complexities of their relationship. Writing about herself, she has learned things she doesn’t necessarily want to know. Some readers might wish there had been more about her books and her development as a writer. Maybe later?

Joyful and sad nostalgia offered up in spades.

Pub Date: June 18, 2024

ISBN: 9780063314092

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 29, 2024

Kirkus Reviews Issue: April 1, 2024

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WAR

An engrossing and ominous chronicle, told by a master of the form.

Documenting perilous times.

In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”

An engrossing and ominous chronicle, told by a master of the form.

Pub Date: Oct. 15, 2024

ISBN: 9781668052273

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: Oct. 15, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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