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ANNE FRANK

THE BOOK, THE LIFE, THE AFTERLIFE

A graceful tribute and a touching act of gratitude.

An articulate statement of the enduring power of Anne Frank’s original work joined with a brief biography, an analysis of the 1955 play and 1959 film based on the diary, some attacks on Holocaust deniers and a few thoughts on approaches to teaching the work.

Prose (Goldengrove, 2008, etc.) first read The Diary of a Young Girl (1952) when she was a child, and later saw the original production of the play on Broadway. Recently she reread Diary and was even more impressed with its young author’s accomplishment. She believes that Frank was an artist, her diary—more accurately a memoir, the author asserts—a work of art. Prose takes us through the text, pointing out its literary merits, generally in convincing fashion, though she is sometimes so insistent and earnest an advocate that she sacrifices just a bit of credibility. The author reviews the history of the Frank family, emphasizing how Anne began as a child diarist and later, in hiding, grew into a more mature, reflective writer, revising and refining with an eye toward postwar publication. Prose properly credits the 1989 Critical Edition of the diary, the volume that first presented Frank’s versions of the diary in parallel columns—as well as the overwhelming scientific evidence of the diary’s authenticity. The author wrestles with Frank’s reputation today, at first uncomfortable with her becoming a symbol of naïve hopefulness, then forgiving of anything that draws readers to the book. Prose rehearses the internecine, nasty struggle to bring Diary to the stage, and chronicles Meyer Levin’s descent into near madness as he sought, unsuccessfully, to be the diary’s playwright. The author attacks both the stage and screen versions for their portrayals of Frank, at times, as a dimwit. She also has little good to say about the actresses who portrayed Frank. Prose also blasts the infrahuman Holocaust deniers and ends with some fairly perfunctory, even ordinary thoughts about teaching the book.

A graceful tribute and a touching act of gratitude.

Pub Date: Oct. 1, 2009

ISBN: 978-0-06-143079-4

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2009

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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