Prose's satirical eye focuses on what should have been an excellent targeta cult of goddess-worshippers intent on healing a lovelorn female's heartbut she fails to hit home with the gleeful vigor so evident in Primitive People (1992) and Bigfoot Dreams (1986). Having just turned 30, crushed to find that she's still just an underpaid fact-checker at a New York fashion magazine, and recovering from yet another destructive love affair at that, Martha is spending a solitary weekend at Fire Island when she stumbles across a wacky-looking, all-female druid ceremony taking place on the beach. Noticing that the group's leader is drowning in the chilly waves, Martha spontaneously saves her lifeand is thus sucked into the maelstrom of a fervent goddess-worshipping cult peopled with pseudo-academic oddballs named Hegwitha, Titania, Freya, Isis Moonwagon, and so on. Clearly, the situation has comic potential, and the cast of female fanatics has been provocatively assembled. But Prose can find little for them to do following this encounter. Though Martha tags dutifully along, helping celebrate the solstice, spouting mangled revisionist feminist history and female-centric jargon, and participating in some routine backstabbing and weepy late-night confession fests, the goddess- worshippers' antics never amount to much more than an occasional silly line or ho-hum revelation. Meanwhile, Martha's character remains paper-thin, and the worshippers themselves never move beyond sketchy caricature, as they travel to Arizona for a doomed encounter with Native American healer Maria Aquilo (``Maria does vision quest. She does sweat lodge. She does dream work and Talking Stick and drumming and spirit dance intensive''). In the end, Prose solves her heroine's problems by sending an eligible male down the desert road to rescue heran anticlimax for the reader as much as for Martha's loony friends. An execution as inexplicably lifeless as its heroineand a disappointment from this highly gifted author.
Pub Date: Aug. 1, 1995
ISBN: 0-374-17371-0
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 1995
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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