More entertaining, offbeat fiction from a proven master of domestic whimsy—author of eight novels and one other story collection (Women and Children First, 1988). Like a promising jazz invention, this 11-tale collection starts loose and cool with ``Talking Dog,'' in which a young woman tells how her dramatic older sister wielded undeserved emotional power over others, even after her death; then warms up with ``Cauliflower Heads,'' whose heroine, an American newlywed in Italy, acknowledges that her marriage to a radioactive-waste- disposal expert is a serious mistake; and hits its stride with ``Rubber Life,'' in which a library employee's obsession with a local artist turns to unexpected relief and laughter when a ghost- child ends the affair. As each of the remaining eight stories follows, Prose's intimate, confiding, subtly urgent narrative voice invites the reader ever deeper into the land of children's birthday parties, art museums, shopping malls, and outdoor weddings where her suburban-loner characters' sudden, quirky epiphanies take place. One of the best and most tightly honed tales is ``Amateur Voodoo,'' in which a son's search for his lost cat brings his parents together with his father's former lover for an uneasy cup of tea; in ``Potato World,'' even a teenager's phenomenally botched summer romance turns out to matter less than expected in the universal scheme of things; and in the final tale, ``Hansel and Gretel,'' Prose's delight in exposing the deadly sins that lurk beneath the surface of suburban ennui reaches its memorable peak. Prose—a master at maintaining a sense of the homogenized texture of American life while celebrating each individual's peculiar experience within it—works these tales of infidelity, envy, fear, and garden-variety confusion into a bright and memorable melody.
Pub Date: Sept. 1, 1993
ISBN: 0-374-23042-0
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1993
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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