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RED PLENTY

A highly creative, illuminating, genre-resisting history.

The strange, sad, hilarious story of the Soviet Union’s blind pursuit of a Communist paradise, told through a mix of history and fiction, using both to get to the truth.

Spufford (I May Be Some Time, 2003, etc.) traces the latter half of the history of the Soviet Union, starting in the late 1950s, when the Soviets were seeing an imaginary light over the horizon. After 40 years that included struggle, war, starvation and Stalin, the Marxist dream looked as if it might be taking off under Nikita Khrushchev. The Soviet Union’s economic growth more than doubled that of the United States, and if it kept going at the same rate, the “planned economy” would “overtake and surpass” capitalist America. Cars, food and houses would be better, and there would be more money and leisure all around, thanks to a top-down, start-to-finish management that “could be directed, as capitalism could not, to the fastest, most lavish fulfillment of human needs.” Through a series of episodes involving economists, scientists, computer programmers, industrialists, artists and politicians—some real, some imagined, some drawn together from composites—Spufford tells the story of the life and death of a national illusion, as Utopian dreams moldered into grim dystopian realities. The planned economy was a worker’s nightmare, where production targets increased even as equipment became more and more outdated, and unforeseen, unplanned events—like the sudden loss of a spinning machine at a textile factory—set off a ripple effect of unproductiveness. Pay cuts and scarce commodities led to riots, such as one in Novocherkassk, where the dead bodies were hauled out and the bloody streets were repaved overnight. In his often-whimsical, somewhat Nabokov-ian notes, Spufford freely points out his own inventions, approximations and hedged bets on what might have happened.

A highly creative, illuminating, genre-resisting history.

Pub Date: Feb. 14, 2012

ISBN: 978-1-55597-604-0

Page Count: 448

Publisher: Graywolf

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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