The jokes will be new to the target audience, and they will likely want more after they’ve been released from timeout for...
Toby, an 8-year-old white boy, fancies himself quite the comedian…most disagree.
Toby lives with his parents and younger sister, Zaza, and goes to school with his friends like any regular kid, but he loves to drive adults crazy with his behavior and his cheek. When his teacher asks him why he is standing on his chair, Toby responds that she told him to sing higher. When his mother buys him high-quality but ugly clothes for school, she tells Toby it’s so they will last longer; he assures her they will since he will never wear them. His friends amuse Toby. During a torrential downpour, Toby tells a friend that he should stay overnight; the boy vanishes, comes back dripping wet, and tells Toby he had to run home to get his pajamas to stay the night. Girard’s Toby, who has been around in his native France for 15 years, is a precocious, bratty smart-aleck that young readers will wish they could emulate (without getting in trouble) as they giggle over these illustrated one-liners and short jokes—there is no sustained narrative to speak of here. Messy, heavy-lined, color comics and illustrated pages resemble James Proimos’ and are full of slapstick overreactions: Toby’s victims usually fall over so only their feet are in the reaction panel.
The jokes will be new to the target audience, and they will likely want more after they’ve been released from timeout for acting like Toby. (Graphic/fiction hybrid. 7-10)Pub Date: June 27, 2017
ISBN: 978-0-545-85284-5
Page Count: 96
Publisher: Graphix/Scholastic
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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