An astute reminder that democracy depends on public spaces where people can congregate and political action can occur.
A peoples’ history of the irresistibility of stadiums as venues for political spectacle.
Since the early 20th century, municipally and privately owned stadiums and indoor arenas have attracted both those involved in politics of resistance and advocates of white nationalism and “militarized patriotism.” They offer places to congregate and a captive audience, and they reinforce social exclusions and preserve social hierarchies. Guridy, a professor of history and African American studies and the author of The Sports Revolution, spins a fascinating story of how stadiums are intertwined with political movements, the corporatization of professional sports, and reactionary forces acting in support of gender inequalities, white supremacy, and the military. After the mid-20th century, publicly owned, multipurpose stadiums served as spaces for grassroots mobilizations by Black civil rights groups, Native Americans, and gay and lesbian organizations. Throughout their history, in fact, sporting events have been sites of patriotic expression such as the singing of the national anthem and, post-9/11, admiration for the military, police, and first responders. The author educates readers on the basketball players who declared their support for the Black Lives Matter movement; the Gay Games held in San Francisco in 1982; a pro-Nazi rally at Madison Square Garden in 1939; the Wattstax ’72 concert, which celebrated Black music at Los Angeles Memorial Coliseum; Confederate-themed events at southern football stadiums; and an AIDS demonstration at Shea Stadium in 1988 by the women of ACT-UP. Guridy also considers the racial and gender diversity of sports audiences and the decline of income diversity in the 1980s as newly built stadiums became more single-purpose and heavily commercialized and tickets got more expensive. More than architecture, the author shows, stadiums are sites for both preserving and protesting the status quo.
An astute reminder that democracy depends on public spaces where people can congregate and political action can occur.Pub Date: Aug. 20, 2024
ISBN: 9781541601451
Page Count: 368
Publisher: Basic Books
Review Posted Online: May 15, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
