This father/son team has concocted a delicious cat-and-mouse tale in which small outsmarts large. Every day, Mr. Howard Maxwell, a proper and pompous cat, orders baked mouse at the Paw and Claw Restaurant until the day of his promotion to Vice Manager of Efficiency Control, when he chooses a raw mouse for his entrée. When the dish arrives, the white mouse, reclining on rye toast, engages Mr. Maxwell in conversation (despite his mother’s admonitions not to fraternize with his food), employing one ruse after another to delay his demise: sprinkling salt, ordering a glass of wine, and requesting a prayer. The mouse deviously creates a catastrophe that enables him to escape and free all the other mice. The computer-generated art is stylishly elegant, dramatically colored in dark hues of slate and black, and handsomely designed with the text printed in white on black sidebars. Effective telescopic perspectives zoom closer as the mouse gets nearer to being eaten. Visually stunning, the period setting (1930s England?), captivating illustrations, and tongue-in-cheek dialogue create a delectable tail, er, tale of one-upmouseship to be savored. (Picture book. 5-8)
Pub Date: Sept. 1, 2004
ISBN: 1-55337-486-X
Page Count: 32
Publisher: Kids Can
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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