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AMBLING INTO HISTORY

Name: AMBLING INTO HISTORY
Author: Frank Bruni
ISBN: 0-06-621371-1

THE UNLIKELY ODYSSEY OF GEORGE W. BUSH

by Frank Bruni ‧ RELEASE DATE: March 25, 2002

One of the few insider accounts of an American political campaign to successfully reveal the immense impact the process...

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Insightful memoir of Bush’s 2000 presidential campaign by a New York Times correspondent.

Traveling with the candidate, Bruni initially found him superficial, childish, and largely unknowledgeable about world affairs—unprepared and even unmotivated to be president. As they became better acquainted, the journalist began to see and appreciate Bush’s basic goodness and kindness toward others, his flashes of wit and compassion, his devotion to family, the loyalty he engendered in friends and associates, and his deep religious faith. Bruni shares the fruits of many close encounters with the Bushes: wife Laura is either extremely reticent or very dull; Mom Barbara is not above making catty remarks about the Clintons; daughters Jenna and Barbara barely pay attention to the campaign; George W. himself gets painfully homesick for Texas and is likely to fly off the handle at anyone who gets between him and his favorite meal (a peanut-butter-and-jelly sandwich). The author offers sharp, informed views about the troubled nature of big-money politics, from the unhealthy predominance of spin over substance to the complicity of the reporters who know better but participate in the frenzy for breaking stories anyway. Bruni watches Bush mature first as a candidate, then as president; he begins and ends with discussion of September 11, favorably rating his response and growth under trying circumstances. Bush was not ideal presidential material, suggests the author, but he’s not much kinder to candidate Al Gore; Bruni’s conclusion seems to be that for a variety of reasons, Americans in the year 2000 wanted a president who did not seem particularly eager or qualified for the job. The subject and many of the incidents discussed here are familiar, but this economically written and tightly organized account is a pleasure to read.

One of the few insider accounts of an American political campaign to successfully reveal the immense impact the process itself has on shaping candidates and, in the end, public officials.

Pub Date: March 25, 2002

ISBN: 0-06-621371-1

Page Count: 288

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2002

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE AGE OF GRIEVANCE
by Frank Bruni

- BOOK REVIEW
THE BEAUTY OF DUSK
by Frank Bruni

- BOOK REVIEW
WHERE YOU GO IS NOT WHO YOU'LL BE
by Frank Bruni

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.