A well-crafted, satisfying work of historical fiction, as are all of Delaney’s novels; respectful of the facts while not...
A rousing tale of forbidden love, civil war, horrible death and other things Irish.
Ireland-born novelist Delaney (Tipperary, 2007, etc.) never met a turning point in the Emerald Isle’s history that he didn’t like. With this entry in his ongoing epic cycle of novels, he turns to a big one: the bloody strife that accompanied the birth of the Irish Free State in 1922 and ’23. American priest Robert Shannon lands on Ireland’s shore just as the bullets start flying, and bad luck for him: A former chaplain serving with the U.S. Marines in France during World War I, he suffers from a textbook case of shell shock. That malady occasions a characteristically encyclopedic aside from Delaney, just as the book opens, on the etiology and management of posttraumatic stress—and readers who dislike didacticism should be warned that his narrative often pauses to break the fourth wall and explain what’s what: “One of the symptoms of their illness…is a morbid irritability—they tend to become upset and to take offense at the merest trifles—and this leads to trouble with the other patients, the nurses, and the medical officers responsible for discipline.” Morbid irritability being an Irish specialty, Shannon fits right in with the village folk he is called to serve, out in the country in which, the locals say, Saint Patrick himself was afraid to wander. Shannon restructures his shattered life while wandering in places where he’s not supposed to, including the arms of a widow lady—but it would be spoiling things to tell, save to note that Delaney explains, “In the Ireland of 1922, virginity dominated the lives of single women, and the relevant fire and brimstone rained down every Sunday from pulpits all over the country.” How this transgression resolves, and how Shannon manages to keep from cracking up in his war-torn adopted country, makes for a fine adventure in storytelling.
A well-crafted, satisfying work of historical fiction, as are all of Delaney’s novels; respectful of the facts while not cowed by them, and full of life.Pub Date: Feb. 10, 2009
ISBN: 978-1-4000-6525-7
Page Count: 432
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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