by Frank Kermode ‧ RELEASE DATE: March 1, 1979
Contra Susan Sontag and a whole generation of structuralist literary critics, Kermode might have titled these essays—the Norton Lectures on Poetry, 1977-78—as "For Interpretation." Because all narratives share a "radiant obscurity," as we read we honor this mystery by helplessly trying to figure it out. Hermeneutics is usually the province of biblical scholarship, so Kermode resolves to start right there. Laminated with "secret texts," "midrashim," and corollaries to the Old Testament, the Gospels are a perfect ur-text: agents can be seen to become characters in the course of successive interpretation. Mark, the earliest written gospel, is a harsh story, purposely elusive, almost taunting. Matthew becomes more vivid, but also lops off edges that can make the reader/believer very edgy. Luke and John add verisimilitude—novelistic touches, necessary alignments. The synoptic Gospels, therefore, are created, Kermode argues, like any other text: they receive and consolidate sketchy mysteries, respond to the historical realities of their time (and prospective audience), and in their structures behave like any fiction: the how of the telling shapes the narrative fully as much as what's being told. Not to interpret, Kermode's argument goes, is to write off this hermetic, layered dignity of texts, to fix them to an ideology, to deny their mystery, treating them either as neutral architecture or journalistic propaganda. (There are modern references also—to Pynchon, Green, Kafka.) Though Kermode slips into jargon now and then, the thesis is well wrought, the scholarship varied and well-distributed, and the examples clear and deft.
Pub Date: March 1, 1979
ISBN: 0674345355
Page Count: 190
Publisher: Harvard Univ.
Review Posted Online: May 17, 2012
Kirkus Reviews Issue: March 1, 1979
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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