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DEFINING MOMENTS OF A FREE MAN FROM A BLACK STREAM

An often bracing reflection on racial discrimination and bias.

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Debut author Douglas reflects on a life of extraordinary academic and professional achievement and on the obstacles that prejudice put in his path.

The author was born in 1943 in Guyana, where he was a “questioning, innocent, poor kid from a colonial country fighting for its independence.” Despite suffering under the weight of poverty—an adult and three children, including himself, lived in his single-room home—he excelled academically and eventually earned a scholarship to New York City’s Queens College and then a Fulbright scholarship to Lehigh University in Pennsylvania. His scholastic achievement and his faith in God—he was a “boy preacher” in an Evangelical church—helped him to navigate his way out of a country that promised more political unrest than opportunity. The author devoted himself zealously to the study of physical chemistry and would go on to earn not only a bachelor’s degree from Lehigh, but also a doctorate from Cornell University before advancing to medical school. But despite his accomplishments, he says, he encountered bigotry everywhere. To Douglas’ great dismay, he even discovered racial prejudice among church members who preached about loving inclusion—an experience that first made him doubt his faithful commitments and then compelled him to break with religion entirely. It was a difficult decision, and he discusses it with thoughtfulness and subtlety in these pages. Overall, Douglas’ story is an inspiring one, and readers will find it remarkable how he continually was able to persevere in the face of daunting challenges. Also, he provides a candid, general anatomy of racism in the United States based on his own experience. However, the author’s recollection is too granularly detailed at times; for example, he lingers too long on specifics about classes he took and the minutiae of office politics, which has a tendency to overshadow his treatment of broader themes.

An often bracing reflection on racial discrimination and bias.

Pub Date: N/A

ISBN: 978-1-948828-70-3

Page Count: 323

Publisher: Frank Douglas Books

Review Posted Online: Feb. 14, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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