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A BOY LIKE YOU

This visually buoyant book may well succeed at redirecting gender expectations—though not bending them.

The title answers a question: What does the world need?

In simple, aphorism-laced language, Murphy offers a positive vision of masculinity that focuses on what he dubs “ ‘inside’ strength”—the sort that privileges kindness, respect for self and for others, knowing when to ask for help, and daring to dream big. He begins with guidelines for right behavior on the playing field (“Say ‘Nice goal!’ and ‘Good try!’ / Don’t say ‘You throw like a girl.’ Ever”). With the heartily welcome reminder that “there’s so much more than sports,” he goes on to suggest that spending time in a garden, kitchen, or science lab, playing music, reading or writing stories can all be just as valid and satisfying. Likewise showing consideration for others, working toward goals, and finally realizing that “the best you / is the you that is ALL you…. / Not a little you and a little someone else.” Harren adds life and color to this earnest but not exactly electrifying advice in vignettes depicting a black lad with mobile features and interracial parents playing or otherwise posing in various settings amid a thoroughly diverse cast of peers, pets, and passersby. The figures, human and otherwise, are rendered with fetching individuality that really comes out in group scenes…particularly on the closing pages, where the illustrator lines up smiling young children, including girls, in informal rows.

This visually buoyant book may well succeed at redirecting gender expectations—though not bending them. (Picture book. 6-8)

Pub Date: July 15, 2019

ISBN: 978-1-53411-046-5

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: May 25, 2019

Kirkus Reviews Issue: June 15, 2019

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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FIELD TRIP TO THE MOON

A close encounter of the best kind.

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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