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MOB LAWYER

An insider's impossible-to-put-down account of life within the "Honorable Society.''

A riveting memoir of life inside the murderous world of Mafia chieftain Santo Trafficante and Teamster boss Jimmy Hoffa, by their personal lawyer (and longtime New York Times reporter Raab)—filled with chilling, credible revelations of mob involvement in the murders of President Kennedy and Hoffa.

Ragano started practice as the protégé of a prominent Tampa criminal defense attorney, Pat Whittaker. Soon, he ingratiated himself with Trafficante, Whittaker's principal client, then became Trafficante's full-time lawyer, defending the mob boss and his associates in occasional criminal cases, tweaking the Florida authorities, and passing time in the Mafioso's Havana gambling clubs. Arrested by Castro's men in 1959, Trafficante was saved from almost certain execution by the lawyer's intervention, and by 1961, Trafficante had brought Ragano into contact with Jimmy Hoffa, hoping that Ragano's influence would induce Hoffa to make loans to the mob from the Teamsters' pension funds. In 1963, Hoffa, hard pressed by Bobby Kennedy's "Get Hoffa'' squad, asked Ragano to tell Trafficante and New Orleans boss Carlos Marcello to kill John Kennedy. Ragano relayed the message, and, after the union boss's five-year prison term for jury tampering, he tried in vain to persuade Hoffa not to reenter union activities until Hoffa's 1975 disappearance. Ragano writes that in a 1987 conversation, Trafficante confirmed to Ragano that he was privy to CIA contracts to kill Castro, that he and Marcello had conspired to kill Kennedy and that mobsters at the behest of Hoffa's successor, Ed Fitzsimmons, murdered Hoffa. Ragano's prominence as a lawyer ended with convictions for tax evasion, disbarment, a brief reinstatement as an attorney, and another conviction for tax violations. Ragano is presently serving a one-year term.

An insider's impossible-to-put-down account of life within the "Honorable Society.''

Pub Date: April 1, 1994

ISBN: 0-684-19568-2

Page Count: 320

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1994

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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