by Frank Trentmann ‧ RELEASE DATE: Feb. 20, 2024
Fascinating insights on how a country of poets, philosophers, and scientists emerged from totalitarianism and genocide.
A magisterial history of Germany over the last 80 years.
A shambles in 1945, Germany now dominates the European Union. Nearly 800 pages on how this happened may seem excessive, but Trentmann, author of Empire of Things and Free Trade Nation, handles his material with aplomb. He emphasizes that the Nazis enjoyed broad support, even among poor German citizens, which withered during the disastrous years after 1942. Some Germans objected to the persecution of Jews within Germany, and many learned from family members serving abroad that the Nazis were committing atrocities. Although the horror of Nazi mass murder stunned the Allies after 1945, Germans were preoccupied with their own problems, including homelessness, starvation, and millions of German refugees expelled from former provinces and Eastern Europe. In the aftermath of World War II, many Germans rejected collective guilt for the war’s destruction, and most were stunned when Konrad Adenauer (chancellor from 1949 to 1963) pushed through massive reparations to Israel and to Jewish refugees. This was effective for reestablishing Germany’s global standing but it also got the country “off the hook of paying reparations for the war itself.” In long, penetrating chapters, the author focuses more on people than politics, examining the economic miracle of the 1950s and ’60s, how younger Germans began confronting their parents’ hypocrisy, and the semidystopia of East Germany, whose collapse opened the way for the united nation’s economic dominance. The explanation that this resulted from German thrift, organization, and hard work does not survive Trentmann’s gimlet eye. In a thoughtful epilogue, the author summarizes the decades of “moral and material regeneration” that produced a resilient people who have fended off recent crises, but he refuses to predict the outcome of other situations, including the disturbing rise in jingoistic, racist, and anti-democratic movements.
Fascinating insights on how a country of poets, philosophers, and scientists emerged from totalitarianism and genocide.Pub Date: Feb. 20, 2024
ISBN: 9781524732912
Page Count: 800
Publisher: Knopf
Review Posted Online: Jan. 24, 2024
Kirkus Reviews Issue: March 1, 2024
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BOOK REVIEW
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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