An off-kilter, hauntingly hilarious debut novel.
Barnet presents a canny portrait of the doomscroll generation, set in an absurdist near-future world.
Jenlena is 21 when animals finally seek vengeance on humans. After creatures of all sorts start attacking people around the world, California billionaire Roderick Maeve funds the development of a sonic signal that kills each and every animal on Earth. Jenlena and her best friend, Daphne, emerge into Quebec’s new normal with English degrees and little sense of purpose: Jenlena takes to stealing and reselling houseplants (which have become a stand-in for pets) and acting as a dog for hire for lonely customers, while Daphne works at a coffee shop and navigates dating a canceled musician named Jordan. Looming in every corner of this increasingly dreadful society, wracked by environmental disasters and political turmoil, are the Moon Bethlehems—a radical cult determined to save the planet. When Jenlena begins sleeping with the Roderick Maeve, the cult enemy no. 1 who is dead set on making time travel a reality, she is swept up in his exceptional privilege. This is a sharp satire of a hyperonline culture, with genuinely moving insights into modern inequality and climate crisis throughout. “We’ve all become like someone on their deathbed, calling up our old transgressions and making apologies,” Moon Bethlehem mouthpiece (and Jordan’s ex-girlfriend) Moon Cicero says. “It’s pretty easy, really, when you’ve got no real intention of changing. You know you don’t have to because you haven’t got the time.” Jenlena and her friends epitomize the wild oscillations between naïveté and cynicism that can define young adulthood, and, while each character is ridiculous at times, they are all delightfully multidimensional. In an apt formal choice, Barnet peppers in the “mental pollution” (as one character calls it) of the online world: she includes tweet-style posts and Instagram-angled poems (as well as a couple of pages of animal doodles and one single photo of Ted Cruz). This book is a great choice for fans of Patricia Lockwood’s No One Is Talking About This (2021).
An off-kilter, hauntingly hilarious debut novel.Pub Date: May 21, 2024
ISBN: 9781662602597
Page Count: 304
Publisher: Astra House
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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