by Fred Chappell ‧ RELEASE DATE: April 1, 1998
A rare, reasonable critic strikes. If ``reasonable'' means alert and without apparent self- interest, as well as exuberantly free of academese, then Chappell fits the bill nicely. The novelist and poet (a winner of the Bollingen Prize) writes as though unconstrained by the imperatives of narrow professionalism that now tend to dominate so much critical writing about literature. His approach is humble yet insistent (``a critic needs a strong motive, for the troubles are many and the pleasures are few''). With brio and even, sometimes, with humor, Chappell explores first books by poets; the ``political bias'' displayed in many anthologies of poetry; the work of current women poets in the South; and the uses (and misuses) of maxims in poems. Although he writes for knowledgeable readers, he won't frighten off the provisionally interested newcomer. That's because Chappell has managed to bring a sense of discovery even to familiar subjects. In his opening essay, ``Thanks but No Thanks,'' for instance, he both questions and justifies the critic's mission, criticizing some perils and errors of reviewers: ``If a poet too habitually in the company of other poets may run the danger of making her work derivative, then may not a critic too often surrounded by other critics risk being faddish?'' However, the perennially thorny subject of teaching writing doesn't show Chappell at his best. In ``First Night Come Round Again,'' a laborious piece of extended polemic, he pompously considers the situation of ``Mr. Creative Writing Teacher,'' who seems to be respected by no one for trying to do the apparently impossible: instructing students in writing poems, etc. Chappell also misses an obvious opportunity to expand the means and range of voice possible for criticism now; as a traditionalist, he is not especially eager to write against the grain, unfortunately. But his traditionalism is fair, clear, vigorous, and sane.
Pub Date: April 1, 1998
ISBN: 0-312-18033-0
Page Count: 320
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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