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ANCESTORS AND OTHERS

NEW AND SELECTED STORIES

A heaped literary plate with something for every taste.

From Southern poet/novelist Chappell (Look Back All the Green Valley, 1999, etc.), a richly varied collection of short fiction.

The stories, most of them previously published, range from contemporary to historical and futuristic, from realism through the supernatural to absurdism. What they mostly have in common is their setting in the North Carolina mountains. “Tradition” provides a good example of Chappell’s robust realism, describing a hunting party ruined by a deeply troubled vet. “Duet” is the pitch-perfect tale of Caney and Kermit, two buddies who sang and played guitar together until Caney’s accidental death; it tracks Kermit’s complicated mourning. One of the most resonant pieces has a supernatural edge. “Ember” takes a country-music story line (jealous lover shoots two-timing sweetheart) and raises it to another level, as he meets other men who have also killed her in a grim mountainside purgatory. Hillbilly Gothic best describes “Alma,” in which captive women are herded like cattle. Chappell artfully blends homespun reality with shimmering fantasy in “The Somewhere Doors” (down-at-heels SF writer finds redemption close to home), while “The Three Boxes” is a powerful fable about racial justice. Peering into the future in the title story, Chappell sees Civil War re-enactment running amok; bio-engineered veterans make disastrous houseguests, he reveals. Looking back in “Moments of Light,” he does Haydn proud, sending the composer via a telescope on a revelatory journey through space. Not everything works. “Crèche” is labored whimsy about barnyard animals allowed to talk once a year. “Bon Ton” builds suspense nicely as we wonder what service mysterious Harris T. Bonforth provides the stream of visitors to his room at the Waltmon Inn, but it comes to a picayune end. Similarly, “The Lodger” has an intriguing premise (dead poet manqué attempts to possess a librarian’s mind) but trails off into a swipe at pretentious literary criticism.

A heaped literary plate with something for every taste.

Pub Date: Nov. 1, 2009

ISBN: 978-0-312-56167-3

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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SIGHTSEEING

STORIES

A newcomer to watch: fresh, funny, and tough.

Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.

In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.

A newcomer to watch: fresh, funny, and tough.

Pub Date: Jan. 1, 2005

ISBN: 0-8021-1788-0

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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