The author provides insight into the psyche of cult members, but it’s still puzzling why any person would blindly follow...
A mother and daughter seek to escape a commune headed by an autocratic preacher in D’Aguiar’s (The Longest Memory, 1995, etc.) evocative novel, based on tragic events that occurred in 1978 in Jonestown, Guyana.
They’ve surrendered their birth certificates, their worldly possessions and their free wills to follow a charismatic leader to an exotic location in the midst of a jungle. But their 3,000 acre commune is far from the utopia some devotees envisioned. Instead, members endure beatings and theatrical tests of faith, including ones that involve absolute trust while scorpions or tarantulas skitter up and down their arms. The preacher often uses fear and deceptive, “miraculous” resurrections to maintain a firm grip on a community that includes Joyce, her 10-year-old daughter, Trina, and a caged gorilla named Adam, whose thoughts and actions provide a unique perspective to D’Aguiar’s narrative. Much as the preacher’s praise and special attention ensure cooperation and adoration from his adherents, fruit and back scratches guarantee the gorilla’s loyalty, at least for a time. But not all who live within the commune remain complacent. Some are labeled dissidents, and others, like Trina’s friend Ryan, try to run away or go into hiding. Joyce holds a trusted position keeping the commune’s books in order and makes occasional boat trips to the mainland office, where money often changes hands with local officials. She and the boat’s captain develop an attraction, and he entertains Trina with stories about a spirited spider named Anansi while he verbally spars with Joyce when she defends the commune and invites him to join. When the preacher increasingly begins to single out Trina, Joyce and her daughter plan their escape from a community so enthralled with his promises they dutifully practice when he instructs them to rehearse the ultimate act. Joyce insists that they limit their plan of escape to themselves, but Trina has a change of heart. D’Aguiar’s narrative adequately describes the brutality and manipulative efforts of a self-absorbed leader, and his depiction of Adam and the infusion of magical realism add an unusual and sympathetic aspect to the story.
The author provides insight into the psyche of cult members, but it’s still puzzling why any person would blindly follow such destructive directives.Pub Date: Feb. 11, 2014
ISBN: 978-0-06-227732-9
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 6, 2014
Kirkus Reviews Issue: Jan. 15, 2014
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
