A story of a boy and his dog in the Texas hill country ranks high in the annals of boy and dogdom. Gipson, in earlier books, has evinced an evocative quality which recaptures for the reader the sounds, the smells, the sights of the region he knows and loves, recaptures too the emotional quality, the moods of his central figure. This was particularly true in Hound-Dog Man, which for some readers was marred by the vernacular. In Old Yeller the story is told as a boy might share his own experience of growing up — the dialect is no more insistent-possibly less so- than in The Yearling. Travis is thirteen when his father goes off on the long cattle trail to Abilene, leaving him as man of the house. There were the hogs who ran wild and some of the most exciting parts of the story tell of the roping and branding of the young. There were the cattle that had to be gentled for milking. There was a constant battle against skunks and coons in the corn patch and the melons. There was a small brother, violent in protest against Travis as disciplinarian. And — a fairly shadowy figure- there was his mother, taking her share and more, in the struggle for existence. But most important there was Old Yeller, a big ugly yellow cur, whom Travis hated at the start and grew to love and trust and depend on, up to the tragic and dramatic end. A moving segment of early frontier America.
Pub Date: July 11, 1956
ISBN: 0060935472
Page Count: 148
Publisher: N/A
Review Posted Online: April 26, 2012
Kirkus Reviews Issue: July 1, 1956
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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