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THE SECRET CITY

WOODLAWN CEMETERY AND THE BURIED HISTORY OF NEW YORK

Careful research brought satisfyingly to life, putting flesh on long-gone bones and letting them live again, cheating the...

An imaginative, engaging, and celebratory episodic history of New York City, conveyed courtesy of Woodlawn Cemetery residents.

At mid-life, the sour taste of mortality was giving rock writer Goodman (The Mansion on the Hill, 1997) insomnia. He took to riding the city streets on his bike late at night, pausing to marvel at a host of memorials to characters he hadn't a clue even existed, though they’d been triumphed by the city mere years before. “A mayor and a war hero?” he asked incredulously when happening on a vest-pocket park named after early 20th-century politician John Purroy Mitchel, who died in WWI. Who was this guy? How could we forget so soon those who had died in cataclysmic events, or the events themselves, or others who had made an impact but were now disappeared into an amnesia that seems almost instantaneous? One thing Goodman knew: Mitchel was buried in Woodlawn Cemetery, 400 acres of the north Bronx, a pastoral fantasy of heaven where “a quiet and undeniable grace wraps the small hills and deep shaded glens.” Visiting the cemetery, the author found some people who had died anonymously but gained stature with the years (Herman Melville, for example), others who died with great celebrity and receded into the mists with alarming alacrity. Their stories, Goodman fruitfully muses, constitute an archive of the city laid out in rows of stone. So he seizes upon a half-dozen and recreates, in unhurried language rich with referents, moments of history in imagined vignettes. He fashions tales about the scourges of polio and influenza, about the work of the Picirilli Brothers’ artistry and the rabble-rousing congressman Vito Marcantonio, the shyster Austin Corbin and the great black poet Countee Cullen. With an eye for social justice, Goodman knows who to bite and who to give a resurrecting pat on the back.

Careful research brought satisfyingly to life, putting flesh on long-gone bones and letting them live again, cheating the reaper.

Pub Date: July 13, 2004

ISBN: 0-7679-0647-0

Page Count: 400

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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