Careful research brought satisfyingly to life, putting flesh on long-gone bones and letting them live again, cheating the...
An imaginative, engaging, and celebratory episodic history of New York City, conveyed courtesy of Woodlawn Cemetery residents.
At mid-life, the sour taste of mortality was giving rock writer Goodman (The Mansion on the Hill, 1997) insomnia. He took to riding the city streets on his bike late at night, pausing to marvel at a host of memorials to characters he hadn't a clue even existed, though they’d been triumphed by the city mere years before. “A mayor and a war hero?” he asked incredulously when happening on a vest-pocket park named after early 20th-century politician John Purroy Mitchel, who died in WWI. Who was this guy? How could we forget so soon those who had died in cataclysmic events, or the events themselves, or others who had made an impact but were now disappeared into an amnesia that seems almost instantaneous? One thing Goodman knew: Mitchel was buried in Woodlawn Cemetery, 400 acres of the north Bronx, a pastoral fantasy of heaven where “a quiet and undeniable grace wraps the small hills and deep shaded glens.” Visiting the cemetery, the author found some people who had died anonymously but gained stature with the years (Herman Melville, for example), others who died with great celebrity and receded into the mists with alarming alacrity. Their stories, Goodman fruitfully muses, constitute an archive of the city laid out in rows of stone. So he seizes upon a half-dozen and recreates, in unhurried language rich with referents, moments of history in imagined vignettes. He fashions tales about the scourges of polio and influenza, about the work of the Picirilli Brothers’ artistry and the rabble-rousing congressman Vito Marcantonio, the shyster Austin Corbin and the great black poet Countee Cullen. With an eye for social justice, Goodman knows who to bite and who to give a resurrecting pat on the back.
Careful research brought satisfyingly to life, putting flesh on long-gone bones and letting them live again, cheating the reaper.Pub Date: July 13, 2004
ISBN: 0-7679-0647-0
Page Count: 400
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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