This interesting attempt to make Mr. Rogers’ wisdom broadly accessible may wind up mainly reinforcing the importance of his...
A collection of the lyrics to 75 songs composed by the beloved children’s-television personality.
Readers and listeners who’ve heard these words sung by their creator seem likely to be the most appreciative audience for the earnest messages, lighthearted flights of fancy, and familiar phrases found in the poems gathered here. Caregivers may wish to search out a specific song to introduce (or reinforce) a discussion about a typical childhood experience or difficulty. Poems encouraging a strong sense of self abound, as do those that reassure young children that they can manage their emotions as they continue to learn and grow. Because of the thematic emphasis on healthy development, however, this is more a resource than a collection that would invite casual browsing. Unfortunately, without the melodies, some of the poems lack obvious rhythm. And, as songs often do, some feature repeating phrases or verses. Both of these factors further weaken the book’s potential appeal as a general poetry collection. Flowers’ illustrations are energetic and feature characters from the iconic television show as well as vignettes of young children and spot drawings of everyday objects. The pictures tie the collection even more closely to their source and may spark some interest, but they do little to extend or expand the meaning of the text.
This interesting attempt to make Mr. Rogers’ wisdom broadly accessible may wind up mainly reinforcing the importance of his presence to its success. (index) (Poetry. 3-8)Pub Date: March 19, 2019
ISBN: 978-1-68369-113-6
Page Count: 144
Publisher: Quirk Books
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
A well-meaning but lackluster tribute.
Readers bid farewell to a beloved canine character.
Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.
A well-meaning but lackluster tribute. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781683693864
Page Count: 32
Publisher: Quirk Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
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