by Fred Wilcox ‧ RELEASE DATE: Oct. 1, 1996
Reminiscences of a time that seems golden only when seen through a beer glass. Wilcox (Uncommon Martyrs, 1991), a nice kid from the sticks, came to New York City with dreams of living the hip life in the '60s and turning out great art. To judge by this memoir, he wound up spending most of his days chasing down free drinks and cheap thrills at Manhattan dives, whose patrons he evokes with affection: ``Stanley's wife, a swollen goose egg perched on the edge of her stool, swills down oceans of vodka. She yawns, derisively, at the screwballs who love her bar. Exiles, fugitives, and chasers of shadows squeeze into Stanley's.'' It is a time of squatters' flats, ``hippie chicks,'' heroin, Bob Dylan, a time frequently measured, for Wilcox, in shot glasses. He recalls working high-building construction, always drunk (``the concrete floor of each completed deck is littered with beer cans and broken half pints of liquor''), recounts avoiding the draft by flummoxing the army psychiatrist with arguments that all people have homosexual tendencies, remembers hard days on the street, drug ripoffs, racial hatred. He has a deft touch for conjuring up the right period details, especially the inane stoned conversations that marked the era (``Hobbits got their shit together. Kind of like beats, man. Kind of like us, only better, man''). Still, although reasonably well written, the memoir carries a certain emptiness: Not much seems to have happened to Wilcox, apart from the usual bad trips and a few exceptionally nasty hangovers, and we see little self-reflection and even less self-discovery in the course of his narrative. Charles Bukowski covered this beat much better from the vantage of the West Coast; so, too, did Emmett Grogan, whose New York memoir, Ringolevio, runs rings around this book. Add this to the long been-there-done-that shelf of '60s autobiography.
Pub Date: Oct. 1, 1996
ISBN: 1-877946-75-3
Page Count: 172
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
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by Fred Wilcox
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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