Come and rejoice and sing out the heartfelt words to this anthem of hope.
The origin of the beloved song “Hava Nagila” is fascinating and somewhat mysterious.
The song tells its own tale in the persona of Hava, a magical, blue-skinned woman wearing a blue-and-white robe that represents the colors of Israel and Judaism. She floats above the events as a gentle, benevolent spirit spreading hope and joy as a blessing, her mitzvah, for the Jewish people. The song evolves from a niggun, a wordless melody that was hummed in a village synagogue in the Ukraine. Many Jews escaping a difficult and dangerous life, including some from this shtetl, migrated to Jerusalem, their ancient home, where the melody was heard by a renowned musicologist. He is believed to be the most likely creator of the Hebrew lyrics known today. Hava declares the powerful words of “Hava Nagila” a miracle, a gift from Hashem, God, for they speak of rejoicing and celebrating, no matter the trying circumstances of life. Hava travels across the ocean to America accompanied by the dance Hora, a fellow blue spirit. There, the song is embraced and recorded by many, sometimes-unlikely, singers, reaching a wide audience. Benjamin’s lovingly rendered illustrations move and dance across the pages with the music. The essential Jewishness of the song and its amazing longevity and universal appeal across nations and cultures resonate throughout the tale.
Come and rejoice and sing out the heartfelt words to this anthem of hope. (glossary, author’s note, illustrator’s note, photo) (Picture book. 5-10)Pub Date: Nov. 2, 2021
ISBN: 978-1-951365-06-6
Page Count: 40
Publisher: Intergalactic Afikoman
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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