A psychologically astute, skillful, engrossing and satisfying novel.
A Detroit boy is sent to stay with his grandparents in rural 1950s Appalachia in this debut literary novel with touches of magical realism.
Nine-year-old Orbie Ray is “a handful” according to his stepfather, Victor. That’s why he has to stay with his grandparents in Kentucky while the rest of the family drives down to Florida, where Victor has a job opportunity. Everything in Harlan’s Crossroads is so different from Detroit—not just the bluegrass and tobacco farms, but also the race relations. Orbie grew up believing that “colored” kids jumped you in the schoolyard and that a black man caused the accident that killed his father. However, in Kentucky, he notices that white folks are often scarier—such as Old Man Harlan, who charges too much at his store, or Bird Pruitt, Harlan’s disturbing hunchback cousin. He also meets Moses Mashbone, a half Choctaw, half black snake handler and medicine man who saved Granpaw’s life; as a result, Granny won’t allow Orbie to say the N-word. Orbie can’t find anyone to play with, so he overcomes his fears and makes friends with Willis, a “little colored boy Moses takes care of.” Willis has a stutter and clubfoot, but he also sings and draws pictures. The story of how Victor courted Orbie’s mother unfolds in flashback, alternating with scenes of Orbie’s story, as he finds himself confronting powerful forces—race, family, nature and even something supernatural. In his debut novel, Owens captures his characters’ folksy Appalachian diction without overdoing it and subtly reveals character through dialogue and description. He also renders a child’s viewpoint with great psychological sensitivity: “I didn’t like the way [Victor] was all the time trying to be on my mind. It was too close together somehow—like when Momma started talking about Jesus and wouldn’t shut up.” Moses and Willis are sometimes overly idealized, and readers may wish that the novel better explored the downsides of snake-handling churches. Overall, however, readers will find this an impressive debut.
A psychologically astute, skillful, engrossing and satisfying novel.Pub Date: Nov. 15, 2012
ISBN: 978-1475084498
Page Count: 324
Publisher: Blind Sight Publications
Review Posted Online: Dec. 6, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Review Program: Kirkus Indie
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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