Of particular interest to prison-reform activists and civil libertarians.
A fair-minded federal judge revisits six convictions to see whether he and the system got it right.
Block, on the bench for decades, has seen two large movements come and go: in the first, in the 1980s, Congress mandated no-discretion guidelines for sentencing for federal crimes; in the second, after the Supreme Court held in 2005 that those sentencing guidelines were no longer mandatory, federal judges were permitted “to reconsider the appropriateness of a previously imposed sentence and to reduce that sentence, even if the original sentence was lawful.” In some instances, the reduction was permitted because the original crime had been reclassified to be less harshly punished; in others, it was up to Block and his colleagues on the bench to weigh all the facts in the matter and reevaluate. The cases considered and reconsidered here involve murder, drug trafficking, and child pornography; the most notorious, though, is that of Justin Volpe, a New York police officer sentenced to 360 months (it could have been life) for torturing Abner Louima in an incident of official abuse Block sees as a clear precursor to the murder of George Floyd more than 20 years later. Block’s reconsiderations are weighty, revealing a complex and justice-oriented legal mind at work, and some of his determinations will come as a surprise, Volpe’s case in particular. Because only 10% of prison inmates are in for federal crimes, Block urges individual states to establish sentence-review programs of their own. Moreover, he concludes, the entire system must be overhauled so that a sentence does not dog a person for the rest of his or her life. “It is not in anyone’s best interests,” he writes, sagely, “to consign ex-offenders to a permanent second-class status. Doing so will only lead to wasted lives, ruined families and more crime.”
Of particular interest to prison-reform activists and civil libertarians.Pub Date: Sept. 17, 2024
ISBN: 9781620978870
Page Count: 256
Publisher: The New Press
Review Posted Online: July 17, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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