by Frederic Raphael ‧ RELEASE DATE: May 1, 1999
“Have you ever read a novel that’s all dialogue?” “William Gaddis. But hardly any.” “Well, this is. With a handful of descriptive paragraphs scattered about.” —And Raphael’s dialogue is famous. The British TV miniseries The Glittering Prizes, some 19 novels, including After the War (1989). Screenplays? The upcoming Stanley Kubrick movie, Eyes Wide Shut with the Cruises, Julie Christie’s Darling (an Oscar for the script), and that feast of bickering, Two for the Road, with Audrey and Albert.” “Good credits!” “Mmm. Coast to Coast is another road picture with a zinger from left field for an ending. A married couple, bound for divorce, drive an antique Jaguar from New England to Los Angeles to attend their son’s wedding. Of course, they wound each other all the way, largely about the adulteries bringing on their divorce, and the bloodletting gets worse at each of several stops (Chicago, Minneapolis, Seattle), particularly at one with Barnaby’s old buddy and Marion’s ex-lover Hal. Once they deliver the Jaguar to their son Benjamin as a wedding present, they’ll split forever. Or will the drive help them work through their problems? The hero is retired sitcom writer Barnaby Pierce, who groaned through several seasons of writing Sergeant Bimbo scripts while his wife Marion stayed home and raised their four kids, growing ever more restive. The subtext to the Jaguar gift is that Benjamin was driving Barnaby’s Chevy on an icy road when he crashed, killing their son Christopher, and now has survivor’s guilt. Did the death do in Barnaby and Marion’s marriage? Or perhaps it was their unbalanced daughter Zara/Zenobia? Well, when the wedding comes, it’s the wedding from hell, with shocks that kill.” “Hmm! Is the talk brilliant?” “Very much so, especially the LA shoptalk. As the anguish deepens, you adjust quickly to knitting all the details together from dialogue. And the jump-cutting between speakers has a Cubist sharpness that should delight.— —All told, one of Raphael’s most successful works.—
Pub Date: May 1, 1999
ISBN: 0-945774-42-7
Page Count: 240
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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