High-octane lit-chat served cold, heavy on the bitters.
Personal strangers and intellectual compadres discover they have a lot to complain about.
This yearlong collection of correspondence between writers who have never met—novelist and essayist Epstein (Essays in Biography, 2012, etc.) and screenwriter/novelist/biographer Raphael (A Jew Among Romans: The Life and Legacy of Flavius Josephus, 2013, etc.)—reveals a blossoming intellectual romance between provocateurs who hold nearly everything but each other in contempt. They loathe Susan Sontag, Hannah Arendt, Philip Roth, Saul Bellow and anyone associated with the New York Review of Books; they like Henry James, Proust, ballet, the Greeks, Maugham and Balzac. They weigh grievances on editorial politics and prices, nurse old wounds, and match each other point for point on English and American culture and which of the two is more Jewish. The bonds tighten on more personal matters: Epstein mentions an upcoming birthday, which happens to be on the day before the anniversary of Raphael’s daughter’s death; Epstein knows the feeling of dread, having lost a son of his own. Raphael is the verbal highflier, studding every sentence with arcane references and French phrases, against which Epstein’s casual erudition usually comes as a relief. Both score good lines. Raphael, on Edmund Wilson’s fight with Vladimir Nabokov over the latter’s translation of Eugene Onegin: “E.W. had only himself to blame when Pushkin came to Shovekin.” Epstein, suspecting a writer named Eric Korn is actually a Korngold: “No one of the Hebrew persuasion is named Korn; he must have had the nomenclatural version of rhinoplasty done on his name.” They see through the sham of modern culture but not each other; they are mutual enablers, never noticing that their puns get lamer, spite more stale and grapes more sour.
High-octane lit-chat served cold, heavy on the bitters.Pub Date: May 7, 2013
ISBN: 978-0300186949
Page Count: 352
Publisher: Yale Univ.
Review Posted Online: March 16, 2013
Kirkus Reviews Issue: April 1, 2013
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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