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HITLER AND THE POWER OF AESTHETICS

An illuminating view of the Führer’s nature and aims, well defended and very well illustrated.

Former American diplomat and cultural historian Spotts takes seriously Adolf Hitler’s claim that he made an art of politics and a work of art of the Nazi state.

“If I were to assess my work,” Hitler remarked in 1941, sounding the two overarching motifs of his regime, “I would first emphasize that in the face of an uncomprehending world I succeeded in making the racial idea the basis of life, and second that I made culture the driving force in German greatness.” Many historians have analyzed, to varying degrees of success, the role that Hitler’s supposed failure as an artist played in fueling his demonic rise to power. Spotts (Bayreuth: A History of the Wagner Festival, 1994, etc.), by contrast, notes that he actually did make a living, however unsplendid, as a painter and illustrator. More than that, and with considerable depth, the author shows Hitler orchestrating mass rallies as if staging them for the theater, designing battle flags and party standards, planning model cities that would serve as grand memorials to the German genius, drawing plans for a capital that would, he fully believed, last long after the memories of suffering and bloodshed had faded—the “thousand-year Reich” of his endlessly rehearsed speeches. The singer David Bowie once remarked without apparent irony that Hitler was “one of the first great rock stars”; Spotts lends considerable historical weight to this view and ably demonstrates that whatever else the Führer may have been, he was certainly an artist of a kind, dreaming of a retirement in the Italian countryside so that he could again take up painting. Moreover, Spotts argues, Hitler was one of the greatest patrons of the arts Europe had ever known (he personally exempted artists from the draft, a privilege accorded no other category of German citizen), even though his tastes were surely less than catholic.

An illuminating view of the Führer’s nature and aims, well defended and very well illustrated.

Pub Date: Jan. 20, 2003

ISBN: 1-58567-345-5

Page Count: 488

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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