by Frederick Busch ‧ RELEASE DATE: Nov. 1, 1998
A prolific author’s animated ruminations on the risks and rewards of writing. Busch (Closing Arguments, 1991, etc.) is the author of 21 books of primarily fiction. Writing is his calling; he has no choice but to engage in what he sadly observes is a self-indulgent and often ruinous career. But the very fact that “it costs too much to write,” Busch argues, forces the author to a higher plane of his craft. As he illustrates in these essays on his own career and those of others, salvation from this dangerous profession lies in surrendering one’s passions to developing fictional characters and to pleasing someone other than oneself—the reader. The 16 essays offered here originally appeared primarily in literary or book reviews. They are divided into two parts; one devoted to essays that stem from Busch’s writing life, the other to the writings of others. Busch writes about his personal experience as a writer at various stages of his career, about writers, friends, and family who have influenced his work. The opening essay, “My Father’s War,” reveals memoir-writing at its best and demonstrates, not in argument, but in style what Busch is getting at in these essays. While unified by Busch’s passionate approach, this eclectic collection ranges from reflections on the author’s Brooklyn-based boyhood and early career in New York to a hilarious but serious diatribe on things “bad.” Among the “bad” are the postmodern critics who “do not love anything except the control they exercise in alleging the artist’s uncontrol.” Busch’s essays on other writers include the famous (Melville, Hemingway, and Dickens) and the underappreciated (Leslie Epstein, John O’Hara, and Terrence des Pres). By conveying with passion and insight why a literary work moves him, he excites the reader to read or reread books that have long gone stale in our imaginations. Writing and reading are reunited by an author who, in these essays, shows himself to be a sharp reader, too.
Pub Date: Nov. 1, 1998
ISBN: 0-312-19255-X
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
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by Frederick Busch ; edited by Elizabeth Strout
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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