The prolific Busch returns to the genre of historical reconstruction he attempted so successfully in The Mutual Friend (1978), which reimagined the Victorian world of Dickens. This story is set in New York City in 1867, and also in the painfully vivid memories and premonitions experienced by its narrator, Civil War casualty William Bartholomew, a former Northern Army sniper whose destroyed visage is concealed beneath a specially constructed mask. The present action emerges from Bartholomew’s relationships with: his old army comrade Samuel Mordechai, an idealistic journalist determined to write the truth about war; “Tackabury’s Adam,” a freed slave whose condition of actual unfreedom Bartholomew strongly empathizes with; Chun Ho, a widowed laundress herself uneasily assimilated to postbellum America; a beautiful Creole prostitute, Jessie, who authors an ingenious liberationist plot; and a deputy customs-inspector named Herman Melville, whose once promising literary career has stalled. Busch gets a seductive narrative rhythm going almost instantly: Bartholomew’s meetings with “M” (whose work he has read), visits to the lavish brothel where Jessie toils, and adventures as an importer-exporter and commercial speculator are juxtaposed against graphic and disturbing flashbacks to wartime ordeals like his assassination of a brave “Rebel whore” and his discovery of a common grave crammed with massacred civilians (both incidents superbly foreshadow more horrors to come). Bartholomew is a brilliantly imagined character, and the book vibrates with beautifully realized (mostly nocturnal) period scenes. A single improbability aside (we’re never fully persuaded that this “acid-etched man of measureless cruelty” would devote himself to combating slavery), Busch offers a gripping story that climaxes unforgettably when a contraband-filled ship reaches port, and concludes with bitter irony when Bartholomew and Mordechai attend Charles Dickens’s public reading of his fable of resurrection, A Christmas Carol. Another stunning dramatization of Busch’s commanding theme: that the world is a battlefield of chaos and dangers from which the innocent must—and may never—be protected.
Pub Date: May 12, 1999
ISBN: 0-609-60235-7
Page Count: 288
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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