An American spy who has come in from the cold helps save turn- of-the-century Russia from its own worst self in an absorbingly resonant thriller from Forsyth (The Fist of God, 1994, etc.), who once again proves himself a master of the game of blending historical fact with fictive fancy. During the hard winter of 1999, Russia (whose economy has been crippled by corruption, organized crime, and inflation) reaches the brink of collapse when its president suddenly dies in office. A new chief executive must be chosen within 90 days, and the world's smart money is on Igor Komarov, the charismatic chairman of a right-wing political party known as the Union of Patriotic Forces (UPF). Something more than a reactionary nationalist, Komarov has unwisely committed his fascist and racist philosophy to paper. A copy of this appalling document (known as the Black Manifesto) falls into the hands of British intelligence and comes to the attention of Sir Nigel Irvine, retired head of the SIS. Since neither London nor Washington will take action, the knight-errant secures help from a sub-rosa group of elder statesmen to frustrate the would-be dictator's terrifying aspirations. His main man in this venture is Jason Monk, a former CIA officer, who had quit the agency after his Moscow operatives were betrayed by Aldrich Ames. Infiltrated into Moscow, Monk (who speaks Russian like a native) plays the centerpiece role in a dramatic scheme to discredit Komarov and rescue Russia from anarchy by establishing a constitutional monarchy with a Romanov heir on the throne. With assistance from a Chechen Mafia chieftain whose life he once saved, the elusive operative enlists the aid of bankers, upright police commanders, journalists, TV executives, the military, and other oddly coupled allies, including the Orthodox Church's patriarch, in halting the UPF's electoral juggernaut. His efforts are successful enough for the desperate Komarov to attempt a New Year's Day coup. Fine page-turning fare from a consummate pro.
Pub Date: Oct. 10, 1996
ISBN: 0-553-09128-X
Page Count: 480
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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