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TEMPEST, FLUTE, AND OZ

ESSAYS ON THE FUTURE

A disappointing glimpse of things to come, from a poet and essayist (Spirit of Place; Of Chiles, Cacti, and Fighting Cocks- -both 1990, etc.) who ought to know better. The six essays collected here (from Harper's, Chronicles of Culture, etc.) all address the ``new order'' that Turner sees at hand, and attempt to provide an outline of how its philosophy, culture, economy, etc., will differ from anything to be found today—or, for that matter, ever before. ``Globalism'' is the watchword throughout: Simplified methods of communication and travel, Turner observes, have brought disparate changes into easy proximity, thus demanding new concepts of ``nation'' and ``race'' and undermining ancient hierarchies of thought and behavior: ``This book is an attempt...to articulate the spirit of the new epoch which will succeed modernism, and towards which postmodernism is an uneasy phase of transition.'' Unfortunately, Turner's articulation is meandering and self-absorbed to a fault. His first piece (``The Universal Solvent'') begins as a meditation on interculturalism, stumbles into an examination of the broadcasting medium, and tries to tie its themes together by an invocation of the earth's ecology (since ``we are Nature, and Nature is ourselves''). The essay ``Tempest, Flute, and Oz'' is an exegesis of Shakespeare, Mozart, and L. Frank Baum, and purports to show how modern science will provide us with a new myth of God as a sort of aging patriarch who has turned the business over to his children. The rest of the book deals with Martian colonization as a means of ``self-discovery'' (a not-very-original reworking of the old ``frontier theory''), artificial intelligence as a key to epistemology, and the ``big bang'' theory of creation. Turner seems unable to find a theme, playing with ideas rather developing them. As a collection of aphorisms, this has some merit, but there is insufficient focus for the sort of exposition that the author clearly intends.

Pub Date: Aug. 20, 1991

ISBN: 0-89255-159-3

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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